1/31/2024 0 Comments Xiao bao biscuitTHE DETAILS: Open for lunch and dinner Monday to Saturday. Order the okonomiyaki, a crisp-edged cabbage pancake decorated with a crosshatch of chile sauce and Japanese mayo. PRO TIP: In warm weather, take over one of the bright green picnic tables out front. The cocktails are delicious- Sichuan-peppercorn-infused gin, anyone?-but the real move is to order one of the Southeast Asian beers that have wonderfully straightforward names like Beer Taiwan and are the perfect antidote to a bowl of spice. The cheery atmosphere, with brick walls (sporting an artfully patchy paint job), hanging plants, and turquoise school chairs, invites you and a big group of friends to settle in and over-order off a menu that can’t go wrong. Each dish draws on traditional favorites from all across Asia, from India to Vietnam, with a chef’s attention to ingredients and detail: The orange beef is made with grass-fed brisket, the snapper crudo is served alongside chawanmushi-topped sticky rice. In this converted ’40s-era gas station, you’ll find modern takes on dan dan noodles, mapo dofu, and butter curry that would please even “fusion” skeptics. Well done XBB and staff! BTW, this is the longest winded review I have done, but every word was worth the praises of XBB.It’s not authenticity they’re after at Xiao Bao, just powerful flavor and fun vibes. We cannot wait to bring our friends here. Not fancy high end snobby joint, but a very homey relaxed family atmosphere. Duolan informed us that her restaurant is owner/chef operated and tonights chef was owner "JOSH". She came to us as we were on our way out to check on our experience and we could not help but gush over what XBB puts out for an overall dining experience. Turns out, she was one of the owners (Duolan Li). As we were finishing up our dining experience, we noticed a lady going from table to table speaking with diners. Served "Manhattan style" with Ramazzotti Amaro, chocolate bitters and bourbon served with a twist of orange peel. We opted to share an after dinner beverage. She said it was good, but a "lighter beer would have been better". I had the Howling Wolf Hefeweisen which paired well with the meal. I love the spicy dishes.not the "burn your face off" type of spice, but heat with flavor! We each had two beers. So we ordered another Okonomiyaki!! **Some of the dishes had some good "heat" to them, however, when we ordered the Gong Bao Xia after the spicy dishes, it somehow put the "fire" out. We were still craving more! Not that the "share" items were lacking portion wise, but that the food was just so fantastic. Local Marvins Pork belly, red cooked with our housemade noodles. So, we didn't stop! LOL we ordered the GONG BAO XIA- Head on local shrimp (Love the fact they are using local ingredients) stir fried with green beans, peanuts and toasted chili. fried glutinous rice dumplings (aka fried mochi) filled with a caramel pork + chili peanut filling served with nuoc cham dipping and lettuce. We ordered it with the "pork candy".OMG, wonderful! So many flavors and textures going on in this simple yet complex offering. But we both loved it! Then we had the OKONOMIYAKI- cabbage pancake. Next came the SAMUN PHRAI- Herbal Thai sausage with roasted veggies in a yam, coconut, chili sauce with basil.i loved the heat of the spice, my wife found it a bit too hot for her. We started with JIAO ZI-Chao Shou style pork wontons in a spicy chili sauce.fantastic, just the right amount of heat and the flavor was spot on. We ordered off of the "share" menu.tapas. My wife and I were seated at a corner low table. Nothing fancy by any means.but it works! There were a mish-mash of barstool seats, they had some "tall-boy" tables and some low tables with bench seating. The interior decor was that of an abandoned warehouse that a couple "foodies" held a secret dinner in. The entire staff worked in harmony with each other shuttling drinks, plates and taking time with each customer. Very attentive without being overwhelming. She was fantastic! Very knowledgable of the menu as well as the beverage menu. There were not a lot of customers (scary), but not to worry. We were greeted at the door and seated immediately (6:00pm on a Friday night). There were some plantings that acted as a "wall" between the outside dining and the street traffic. The old "pump area" of the converted gas station was repurposed as outside dining area. We were a bit leery about XBB based on the exterior. We parked out front (one of about 6 parking spots on property). We drove by a couple of times until we realized the abandoned looking old garage is actually the restaurant! Very low key and unassuming from the outside. If you don't know where it is, find it! if you can't find it, ask someone! Friends of ours recommended we give it a try.
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1/31/2024 0 Comments Panorama photo_Shoot in manual exposure mode to lock in the same exposure settings through all the frames and to have the same depth field through all the frames. _Keep the camera level through all the exposures. I tend toward 33% to give software as much real estate to work with. _Most recommendations are to have at least 15% overlap between frames. _Shooting more frames with the camera in the vertical position reduces the apparent distortion. And the bonus is you get even more resolution in the end. It’s preferable to shoot with a 28mm over a 14mm or make multiple rows with a 50mm over that 28mm to cover the same area. _The wider the lens you shoot with, the harder it is for software to overcome distortion. Of course there are a few tips to help while shooting handheld: Luckily there is plenty of software out there to save our bacon, let us shoot handheld and still get great results. Unless you plan on shooting a large amount of panoramas, these tripods may not be an investment you want to spring for now (unless you wanted to rent one). Ideally you would also shoot using a tripod head that allows the camera to rotate around the nodal point to avoid issues with parallax. To get the best results it is recommended to use a tripod. I’ll be talking about something a little easier to attain for those of us working on Mac Pros and iMacs (and even Windows machines I guess) - panoramas composited from far fewer frames than that needed to get a 272 gigapixel panorama. The largest I found is a 272 gigapixel panorama of Shanghai, China. Photographers are pushing the processing limits of computer hardware with interactive panoramas well past the gigapixel range. Creating large panoramas with theoretically limitless resolution is just one of those new frontiers. The advent of digital photography has not only created easy access to photography like never before, it also has opened up creative and technical possibilities in image making that were once unimaginable. It was a privilege working with you and a privilege to be a part of Summit on the Summit’s campaign for water conservation and awareness. I want to thank Chase and his crew that I worked with on building these panoramas - Kate, Megan, and Norton. Big, right? I’ve asked Mark to give us a little insight into the methods he used for creating that panorama, which you see in digital form above. (see them in context of the gallery at the end of this post). And when I’m talking big, I’m talking 4 feet tall and 20 feet long. I wanted him to build a BIIIIIG panorama that could be auctioned off for Summit on the Summit. While on the mountain I snapped off a slew of panoramas and sent them to my buddy Mark, who does digital retouching with his company PARADOX VISUAL. It is better to expose each individual photo of the panorama manually, taking care that the exposure time does not deviate too far from the average value of all partial images.Earlier in the week I shared my gear list for the hike up Kilimanjaro with Summit on the Summit. Especially when the lighting conditions are not optimal or individual image areas appear particularly bright or dark, the automatic exposure on the camera should be switched off. But if you use a lower f-number, the background in the final image is mostly blurred, but the focus can be directed to the main subject of the photo.Ī very important aspect in the preparation of panorama photography is the correct setting of the exposure time. High aperture values later ensure a sharp image over large image areas. Equally important is the correct setting of the aperture. To do this, focus on the point that is to be sharply displayed in the panorama later. Before you start taking pictures, you should set the focal length manually. In order to avoid severe distortion on the panorama images, the focal lengths should be as short as possible. It ensures that there are always enough overlapping image sections to further simplify the composition later on. This is where the panorama function of the camera can be very helpful. This way you can ensure that the image processing program can later assemble the photos more easily. The individual images should overlap by at least 20 percent, but an even larger overlap is better. In contrast to landscape format, this allows a much larger area of the environment to be captured in the image. Normally, the single images are taken in portrait format. 1/31/2024 0 Comments Shiori kutsuna nudesMoreover, the series keeps us away from this thread for so long that we lose interest in it. Sanctuary uses these scenes to paint a character as a ruthless psychopath, which proves to be a red herring. Take those flashbacks where a boy looks at his dead mother and brother with a smile on his face. This is a very lazy show that uses very lazy tricks to spice itself up. Sanctuary has to fill its eight episodes with something, right? So it fills its runtime with half-baked subplots that tire your senses. What this means is that the rubbish regarding exposé is nothing but bait to reel in the audience. Stay in the company of these sumos, and you will fall in love with this game. Sanctuary suggests that only an outsider (Kunishima has returned from the US) will consider all these things problematic and that too at first. In fact, the series, as well as Kunishima, stop seeing anything as a problem after a while. The series makes these points, though it flattens its importance by paying lip service to these problems. The wrestlers can beat their rivals to death and still walk out with respect and admiration. For instance, one sumo kicks his opponent in the groin but is still allowed to stay in the ring. And there doesn't seem to be any penalty for engaging in unfair practices. She also observes that sumos undergo harsh and problematic treatment and even get bullied in the name of discipline. A journalist, Kunishima (Shiori Kutsuna), argues that it's absurd women are not allowed to participate in the world of sumo wrestling. The scene suggests that it's not easy to reach this top position. Ryuki's (Kaku So) cheery press meet is intercut with shots of him puking in the toilet. Sanctuary starts with the aim of exposing the dark side of sumo wrestling. So what do these wrestlers do to fulfill their hormonal requirements? One of them squeezes the chest of another sumo wrestler. The boobs hang in front of his eyes, yet they are far away from his grasp. Enno (Wataru Ichinose) can see them but cannot touch them. The series is told through the perspective of these wrestlers (i.e., male gaze), which is why the camera beholds breasts as if it were a beautiful, bright sun. One character gets horny by watching an infomercial. When one wrestler brags he has slept with hundreds of girls, you immediately recognize that he is making up tall tales. None of them seem to have any experience with women. The sumo wrestlers can satisfy their appetites but have no luck satisfying their sexual desires. This is a show that is unafraid to dip its hands in shit.īut Sanctuary is not only dirty it's also quite horny. A sumo wrestler looks at his poop, compliments it, and asks someone else to flush it. Their derrières get closeups, and their filth becomes a source of discussion. They are aggressive, cruel, and mostly seen naked. Here is another definition of sanctuary from Google - "A place where injured or unwanted animals of a specified kind are cared for." The sumo wrestlers in this Netflix series do look like animals. Here is a definition of sanctuary from Google - "Refuge or safety from pursuit, persecution, or other danger." For sumo wrestlers, though, the sanctuary is located in dohyo (a circle inside which sumo wrestling takes place). 1/31/2024 0 Comments Renoise instrumentI would say Kontakt instruments are the most portable (excluding the poor folks stuck on linux). I much prefer working with XRNIs wherever possible because they’re more portable So, long story short: xrni is still fairly limited depending on what your needs are. I.e., actually sample Zyn’s volume envelope at least for the higher notes. (One obvious way would be to use longer samples. If anyone knows how to fix this, please let me know. The low- and mid-range is perfectly playable, but the high-end sounds like an organ. Here’s the patch without the key-tracking hackery: 5351 asdf.xrni That roughly emulates the effect, but to my knowledge it’s impossible to fine-tune this properly, and the coarse effect was just too much. I tried a workaround by using two key-trackers after the envelope: the first one subtracting, the second one multiplying. I couldn’t get this effect in renoise, since you can’t adjust envelope-decay by key-tracking. (A piano or a guitar, for example.) Since a short string vibrating has less energy than a long string vibrating, the higher notes on a piano/guitar decay faster. This models the behaviour of acoustic instruments that produce sounds via a resonant-body that is excited by strings. Now, ZynAddSubFX’ envelopes have a stretch parameter that compresses the envelope (in time) for higher notes. I wanted to create a sample-based instrument for my favourite ZynAddSubFX patch (dxrhodes 2). When 3.0 came out, I thought I’d give the xrni-format another try. But since renoise is a sampler, the obvious answer to your question is “use samples” and fuck around with the instrument-capabilities to get the sound you want. I don’t think renoise instruments are well-suited for acoustic instruments. Thanks for your suggestions, and I hope you’ll pardon my rant. I’m willing to pay for quality XRNIs if that’s the best option available. Also, with XRNIs there’s no configuration necessary to ensure that an external plugin is set up properly. One last thought regarding VSTs: I much prefer working with XRNIs wherever possible because they’re more portable (I’m working on a collaboration with someone who may not have access to certain VSTs).
1/31/2024 0 Comments Experian top class actioConsulting a lawyer can help you determine whether you have a strong case and how it might unfold. If you’re considering a larger lawsuit, though, expenses are much higher. Typically, plaintiffs represent themselves in these cases, bypassing costly attorney fees. Small claims courts - which handle claims under a few thousand dollars to $15,000, depending on your state - generally charge a small fee t o file, making them a relatively low-cost way to seek damages. One example: Following the credit-scoring company Equifax’s data breach in 2017, which compromised the personal data of 147 million people, The New York Times reported that some people took Equifax to small claims courts, winning much larger sums than those who received class-action payouts. They’d get the money quicker, and they’d get more money.” “You’re trying to decide, ‘If I opt out, am I going to do that much better than I’d do in a class action?’ And in certain circumstances, an individual would do better. Maatman Jr., a partner at Duane Morris and the chair of the law firm’s workplace class-action group. “If you have your own lawsuit, the value of your claim might be much, much higher as an individual than it would have been as a class member,” says Gerald L. If you plan to make a case of your own, it makes sense to opt out of, or not participate in, a class-action lawsuit. The Exxon Valdez oil spill, for example, took 17 years to reach a class-action settlement. And it’s difficult to discern upfront whether such a service award would be granted.Ĭlass-action lawsuits can also take anywhere from a few months to several years, which can be an excessive commitment for many. She notes that some courts in some jurisdictions would be able to grant a service award to plaintiffs representing the case, which are often between $2,500 and $7,500, but other courts have found these awards inappropriate. Riley, a partner at Duane Morris and vice chair of the firm’s workplace class-action group. In some cases, becoming a class representative could lead to a bigger payout - but that isn’t always the case.Įven though the class representative is the case’s headline, “That person isn’t necessarily going to get any kind of windfall,” says Jennifer A. If you feel strongly about the outcome of a class-action lawsuit, you can also participate as a class representative, sometimes called a lead plaintiff. And for certain cases, such as those relating to wage violations or defective products, you may have to opt in.ĬLASS REPRESENTATIVES DON’T ALWAYS GET A LARGER PAYOUT If you’re part of the “class” of a lawsuit - that is, if you were affected by the certain event or purchase described - you’ll often be automatically included in the lawsuit. Lawyers taking on these lawsuits will usually receive payment as a percentage of the settlement won from the company. In most cases, Abney says, plaintiffs of class-action lawsuits pay legal fees on contingency, which means they don’t pay anything unless they win the case. “The beauty of the class action,” he says, is that it adds up individual cases to a number that’s high enough to go up against a large company. Abney, who defends victims of dangerous drugs and defective medical devices at the law firm Watts Guerra. “It’s really a trial by proxy,” says attorney Russell T. But even if you receive only $10 to $20 as compensation, joining a collective lawsuit can help other customers or employees get justice, and may deter a company from harmful practices in the future. In many cases, class-action lawsuits offer such a minor payout to each victim that participation is a matter of principle, not reward. The stakes are high for class-action lawsuits at this level, as they set standards for corporate responsibility in areas such as data privacy, employee discrimination, securities fraud and civil rights.īut in cases where you suffered significant harm, suing individually could secure a bigger payout. history apart from the tobacco settlements decades ago, according to a report from the national law firm Duane Morris. Following a series of large opioid settlements, 2022 had the most billion-dollar class-action settlements in U.S. And there have been many opportunities to do so. 1/31/2024 0 Comments Sharefile sync for mac downloadIn the Preferences UI, select ‘About.’ The version number appears on the left side. Latest release: ShareFile Sync for Windows The version number appears at the top of the help page. Select ‘Help’ from the Citrix Files for Outlook ‘Options’ menu. Left-click on the ShareFile logo in the System Tray to open the Dashboard. Select ‘Help’ from the dashboard. Specific methods for each client is also listed below macOS- In the applications folder, find the Citrix Files / ShareFile application, right click and select ‘Get Info.’ There will be a line entry for ‘Version:’.Windows - Navigate to ‘Add or Remove Programs’ and click the Citrix Files or ShareFile application to see which version is installed.To identify the specific version of the clients, the following can be used in general: Any version earlier than the listed TLS 1.2 supported versions, in the table below, will experience disruption after TLS 1.0 and 1.1 is disabled. For customers that have updated their environment to allow only TLS v1.2 and later the following information can help determine the minimum versions of various components to support the environment. Otherwise, customers can experience disruption or lose access to the service. For specific technical details on current supported levels, see:Ĭustomers must upgrade their applications to a version that supports TLS v1.2 or later. Read more about TLS vulnerabilities here:Ĭitrix ShareFile is not vulnerable to the known attacks described above provided that the TLS implementation is current. TLS v1.0, when not configured correctly, can be vulnerable to well-known attacks such POODLE TLS, CRIME and DROWN. The versions of TLS, to date, are TLS 1.3, 1.2, 1.1 and 1.0. TLS ensures that a connection to a remote endpoint reaches the intended endpoint through endpoint identity verification, and encryption. It’s the most widely deployed security protocol used today replacing Secure Socket Layer (SSL), and is used for web browsers and other applications that require data to be securely exchanged over a network. TLS stands for “Transport Layer Security.” It is a protocol that provides privacy and data integrity between two communicating applications. This article will describe how customers can leverage Citrix ShareFile components that support TLS v1.2 and specific dependencies on web browsers, mobile platforms, and development environment for API and SDK consumers. However, we understand that security is very important, and in some cases, customers will need to update their TLS implementation, particularly disabling TLS v1.0 and/or v1.1 to meet security best practices and compliance. There are no known security vulnerabilities in our implementation as of the date of this article. To prevent any disruption, action is required before June 30, 2020.Ĭitrix ShareFile supports security best practices including our Transport Layer Security (TLS) implementation for the various components. This will prevent customers still using TLS v1.0 and v1.1 from accessing some of their services. ShareFile Storage Zone Controller and ToolsĬitrix ShareFile operations has disabled Transport Layer Security (TLS) v1.0 and v1.1 on June 30, 2020. *Internet connection and complimentary level of membership to Creative Cloud is required for use of this feature. Requires iPad 2 or later and iOS 5 and later.Free Creative Cloud membership with 2GB of cloud storage plus the ability to manually sync between tablet and desktop, access files from the web, and share.The ability to open Photoshop Touch layered files in Photoshop CC, CS6, or CS5.1.Step-by-step tutorials and an inspiration gallery.The ability to work on high-res images (up to 12 megapixels).Refine Edge for capturing hard-to-select elements like hair.The Scribble Selection tool for selecting part of an image to extract.The camera fill feature for using your iPad camera to fill areas on layers.Core Photoshop features like layers, selection tools, adjustments, and filters.Supported by any device with iPadOS 14 and above.Photoshop Touch for iPad lets you combine images, apply professional effects, and share results through Facebook and Twitter - all from the convenience of your iPad.Ī new complement to Photoshop Touch is also available: Adobe Photoshop Mix is a free iPad app that enables you to combine and cut-out images, apply looks, and perform non-destructive edits to your images, all compatible with Adobe Photoshop CC. Your documents are automatically saved to the cloud as you work and available on any device running Photoshop. Simplify reviews by sharing for comments right within Photoshop. It’s simple to keep your PSDs in sync across devices. Your PSDs are exactly the same, whether you’re working on a desktop, laptop, or iPad. With context-aware UI, only the core tools and panes are displayed, so you can focus on your canvas, not the clutter.Ĭreate on your iPad with the Photoshop features you know and love, from retouching and compositing to spot healing and blend modes. Work with your layer stack and toolbar tools just like on your desktop. Swipe, pinch, tap, scribble, slide - you’ll feel closer to your work than ever before, and with Apple Pencil, you have ultimate precision. Intensify or remove color from selected areas in a single brushstroke. The Sponge tool gives you full control to adjust the color saturation precisely where it’s needed. Smudge, mix, and blend to create an original masterpiece. Convert layers into Smart Objects that you can transform in a nondestructive way.īlur the lines and soften distinct edges with the Smudge tool, which simulates the effects of painting with a wet paintbrush. Use the Object Selection and Select Subject tools to make quick and detailed selections when you’re combining images and fine-tune them with the Refine Edge Brush. Bring in your raw photos from your camera, iPhone 13 Pro (ProRaw), or Adobe Photoshop Lightroom, edit them with the power of Photoshop, and send them back to your Lightroom catalog. Remove unwanted elements with the Spot Healing Brush, Healing Brush, and Clone Stamp tools. We’re releasing new product features every month, so check out the “What’s new” page in the app to see what’s coming next, suggest features, and help us build the Photoshop experience you want.Įnhance images and adjust color tones with Curves. Easily share with collaborators for commenting. Our guided tours and coach marks will help you get familiar with the UI, which has been designed for touch and the power of the Apple Pencil. Get inspired and learn tips and tricks in our new inspiration gallery. Photoshop on the iPad delivers core tools designed for Apple Pencil and touch. Import your raw images directly into Photoshop, make nondestructive edits, and share for comments right within the app. Photoshop on the iPad opens the same files as Photoshop on your desktop (macOS or Windows) using cloud technology, so you can stay in sync across all your devices. If you don’t, try it with a 30-day free trial. Ready to use Photoshop on the iPad? If you have a qualifying subscription, just log in with your Adobe ID. How to unlock: press Buy then press Cancel. Adobe Photoshop++ iPA using Satella by Paisseon.Īdobe Photoshop++ iPA unlock all paid features (exclude cloud storage) of Adobe Photoshop app. 1/31/2024 0 Comments Kiwi for gmail vs mailplane
1/31/2024 0 Comments Words of wonder level 83The defendant contends that it is entitled to summary judgment because its use of the phrase "the dentists' choice" has been fair use within the meaning of the Lanham Act. "The dentists' choice" phrase never appears without the prominently displayed CREST trademark, explanatory text or the American Dental Association endorsement. All CREST advertisements also include an endorsement by the American Dental Association. These advertisements also feature the CREST trademark and often make textual reference to dentists' recommendations and endorsements. In the second set of advertisements, the phrase "The dentists' choice" appears without immediate modifiers at the bottom of a print advertisement. In the first set of advertisements, the phrase "The dentists' choice for fighting cavities," or similar phrase, appears at the bottom of a print advertisement in which the CREST trademark is prominently featured in conjunction with varying textual comments. Accompanying its summary judgment motion, the defendant submitted all of the forms of CREST advertising and promotion that have included the phrase "the dentists' choice." Although there are certainly variations among the different advertisements, they can be loosely separated into two categories. THE DEFENDANT'S USE OF "The Dentists' Choice"Īn initial description of the defendant's use of the subject phrase is required. Against this backdrop of summary judgment jurisprudence, we turn to the defendant's motions. In what has now been dubbed the 1986 Supreme Court "trilogy," the Court reaffirmed its support for Rule 56 as an important procedural tool. In determining whether that burden is met, however, the court must draw all reasonable inferences and resolve all ambiguities in favor of the non-moving parties. 56(e), and there must be more than merely "some metaphysical doubt as to material facts." Matsushita Elec. They "must set forth specific facts showing that there is a genuine need for trial," Fed.R.Civ.P. If that burden is met, the non-moving parties cannot simply rest on their complaint setting forth a valid cause of action. 56(c) provides that summary judgment is appropriate if "there is no genuine issue as to any material fact and that the moving party is entitled to judgment as a matter of law." The burden is on the moving party to demonstrate the absence of a material, factual dispute. Both parties have moved for summary judgment.įed.R.Civ.P. In defense of the action, the defendant primarily contends that it is not using "the dentists' choice" as a trademark but only fairly and in good faith to describe CREST toothpaste, that there is no likelihood of confusion, that DENTISTS CHOICE does not have a distinctive quality, and that the plaintiff has acquired no bona fide trademark rights because the products on which the trademark has been used have been sold in violation of federal law. The plaintiff's complaint charges the defendant with trademark infringement in violation of section 32 of the Lanham Act, use of a false designation of origin in violation of section 43(a) of the Lanham Act, dilution of plaintiff's trademark rights in violation of section 368-c of the New York General Business Law and common law unfair competition. The defendant did not discontinue use of the phrase, and the plaintiff commenced suit in April 1988. In September 1987, the plaintiff became aware of the defendant's use of the phrase and sent Procter & Gamble a cease and desist letter. Since approximately July 1986, the defendant, Procter & Gamble Co., an Ohio corporation, has utilized the phrase "the dentists' choice" in its advertising and promotion of regular and tartar control CREST toothpaste. The plaintiff in this action, Wonder Labs, Inc., is a New York corporation that from approximately 1970 through 1987 manufactured, sold and distributed a toothbrush called "Dentist's Choice." On November 14, 1972, Wonder Labs obtained a registration for the trademark "DENTISTS CHOICE" for use on toothbrushes. Lewis, of counsel), Dinsmore & Shohl, Cincinnati, Ohio (Thomas S. Robin, Blecker, Daley & Driscoll, New York City (Marie V. Lilling, Talay Hafiz, of counsel), for plaintiff. *1059 *1060 Lilling & Greenspan, White Plains, N.Y. Select a photograph from your collection. How do I make an image my desktop wallpaper? You can do this by following a simple process: 1. All you need to do is to know how to save images as wallpapers, and there you go! You will have a wallpaper that suits your needs and preferences. Can I design desktop wallpapers? Yes, you can! You do not need to be a graphic designer for you to do this. That said, desktop wallpapers cannot be ignored, they mean different things to different people. Adding a quote will act as a reminder of what inspires you in your day-to-day life. Interesting, huh? You can add an image that shows how you feel or one that means something to you. Sometimes, people display their feelings through the use of desktop wallpapers. They add glamor to your computer and make it look aesthetically appealing and highly presentable. However, this element comes with a sense of beauty. In fact, you can decide to use a dark colour, and life will move on as usual. What is the use of a desktop wallpaper? Well, adding a wallpaper to your desktop is not mandatory. What you need to know is that these images that you add will neither increase nor decrease the speed of your computer. A desktop wallpaper is highly customizable, and you can give yours a personal touch by adding your images (including your photos from a camera) or download beautiful pictures from the internet. The background of this screen can be a single colour, multiple colours, or some other graphical representations. What is a desktop wallpaper? When you boot your computer, there is an initial screen that comes up, in which your folders, documents, and software shortcuts are placed. |
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